by Erik S. Lieber |
from www.infrastructurist.com |
But what of those precious oases on the street? The phone booth has traditionally been a place of refuge, both a literal one from the elements, but also a place of safety, a life line, a last hope. This image and the idea it represents has become iconic in our culture. Like Brenda stranded in the Chicago bus station waiting desperately in a phone booth for Elisabeth Shue, or poor Tippi taking shelter from the gulls, or Griffin Dunne emptying his pockets looking for money to make a call, Christian Slater (before he became his Own Worst Enemy, in more ways than one) and Patricia Arquette sanctifying their union, even Clark Kent's alter ego sheltered behind those squeaky accordion doors. (And yes, the phone booth can also be a depository for bodily fluids, graffiti and chewing gum, but lots of great things in this world, like children or your favorite jeans, may at one time be covered in pee, graffiti or spent gum)
Of course our city and state governments have a responsibility to provide public phones, for safety if nothing else, for those moments when cell phones die or networks are overwhelmed. Can you list all the public phones within a few blocks of your house, can you list any? When they are present they are invisible to us, like parking meters to pedestrians, like boyfriends to players ("what's your pay phone got to do with me?"). What we notice is the absence. So, that is my argument for the fully fledged telephone booth, an icon preserved, a civic responsibility fulfilled, and lastly a large and easily identifiable port in a storm. Here is my most recent find at the Brooklyn Public Library.
You can take my card catalog but you can't take my telephone booths!!
ReplyDeleteDid you take that last photo? It's really pretty.
So evocative, the graffiti and piss behind squeaky accordion doors
ReplyDelete